Audre Lorde has served as a huge source of inspiration to me. Instead of smothering you with my feelings on the topic, I will direct you to the post I wrote in her memory for the Library of Congress Blog, "From the Catbird Seat". Audre Lorde passed away on November 17th, 1992.

Read the full blog post here: http://goo.gl/IY3LAU

I had a wonderful time presenting at the Wisconsin Association of Academic Librarians 2015 conference. My poster, "The Feminist Librarian: Fostering Inclusivity in the Academic Library" included the main components for inclusive praxis which I identified as I worked to design the inclusivity ambassadorship at the UWM Libraries. 

We're at that point in the semester when backpacks and stress are becoming increasingly heavy. In an attempt to stave off boredom and complacency, I have been ramping up the variety of our classroom activities. You can't have a student-centered classroom if your students aren't feeling motivated and inspired! This week, my class was discussing work. There are a lot of complex and interconnected issues here, so instead of merely summarizing these ideas in class discussion, I decided to engage my students in feminist media analysis. Particularly, I wanted to highlight those issues not emphasized in the main course text, but that I identified as integrally important to our overall understanding of the topic. I selected a variety of video clips which illustrated: The social context of the gendered wage gap, the intersections of western female empowerment and the "visible invisible" domestic labor economy, and the ways in which labor related discrimination (particularly focusing on Queer/LGBTQ+ workers) is often marginalized in labor discourse and activism. 

We began with the wage gap. I showed students the following clips, and then asked them to 1) Think: How do you respond personally to the ideas in this video? Who is included/excluded here? What hidden meanings can we expose by applying an intersectional feminist analysis? How can this conversation be reframed utilizing a global perspective? 2) Pair: Discuss you reactions with another classmate or small group. What did they notice that you did not? 3) Share: As a class, let's talk about our reactions to these clips. What did we learn? What surprised us? Inspired us? Confused us? 

Gendered Wage Gap: 

Response: Students noted that while legal reforms have been made, social understandings of gendered labor stall real progress. Students also noted that while the Lily Ledbetter clip zoomed in frequently on women of color in the audience, the speech did not address the impact of race, class, or gender expression on wage discrepancies. 

Domestic Labor: 

Response: The class discussed how the conception of female empowerment as increased workforce participation and equal wages for women seldom recognizes the ways in which the ability of many western women to participate equally in the labor force relies on a system which simultaneously exploits and oppresses female domestic laborers. We critiqued the ways in which the tangible and emotional aspect of domestic labor is externalized and removed from many conversations about gender and labor. 

Queer/LGBTQ+ Labor Rights: 

Response: The class discussed the ways in which gender and sexuality can determine our economic choices and opportunities. While the blame is often located in the worker, we must look to the ways they are cut out of the conversation surrounding labor rights and activism. 

Though zines have had a diverse community of devoted followers since the 1930’s, zine collections in libraries and archives have only recently begun gaining popularity.  Because zines are relatively new resources for libraries and archives, there are still many questions concerning the preservation needs of these non-traditional formats. Although collecting and preserving zines can present interesting challenges, they are invaluable resources that capture first hand perspectives of those outside mainstream media and popular discourse.  Because zines place little emphasis on the original copy, I recommend digitization as a viable preservation and access strategy. Unfortunately, most libraries have not taken steps to digitize zine collections.

The first section of my paper will provide background information and definitions of zines and important related concepts. I make the case that the preservation of zines in libraries and archives constitutes a fulfillment of professional ethics regarding social responsibility, diversity, and equitable access.  Then, I will discuss zines as ephemera, and consider established ephemera digitization projects. I recommend that librarians and archivists consider established approaches to digitizing ephemera when considering zine collection digitization. In the second section, I focus on digital preservation concerns. Considering the ethos of zine culture, I argue that not only can concerns over privacy, permissions, and copyright be easily addressed, but also that digitizing zines constitutes an effort to both preserve and promote print culture. Finally, I discuss implementing digitization for preservation and access in libraries and archives. I advocate that libraries and archives should learn from and work collaboratively with community archives, potentially paving the way for community digitization projects.






















Figure 1. Image of a page from the zine, Cupsize. The use of the MadLibs logo and concept is an example of a general type of copyright concern which is characteristic in zines.